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Review: Verdi’s Requiem, Sydney Symphony Orchestra
An unusual hybrid creation that straddles both church and state, superbly performed, and streamed throughout the world.
Is Hong Kong the next game changer in the global art scene?
‘It has been exhilarating to watch at close quarters the accelerated story of Hong Kong’s emergence as a global art…
Review: Above Ground at Riverside Theatres
Form Dance presents a thought-provoking visually striking double bill of contemporary dance.
Review: Shaken: A James Bond Cabaret at Chapel off Chapel
Who is the best 007? This long debated question is the light-hearted driver of Charlie D. Barkle and Erin Hutchinson’s…
Review: Marjorie Prime at Ensemble Theatre
This play opens with some promising questions but ultimately its answers are simplistic and outdated.
Mona Foma confirms Launceston relocation
The Tasmanian government has committed $1.75 million to the relocation of Mona Foma (MoFo) to Launceston for each of next…
Price first, design later - how the arts can learn from IKEA
Setting the price point for an arts event can often be the death of it. IKEA demonstrate how flipping the…
Transgender, cabaret, and working in retail
Shop assistants and department stores are rich pickings for comedians. Cabaret performer Zeb Direen uses a transgender character to explore…
On the move: the latest appointments and resignations
New Curator for UQ, new Chair for Experimenta, CEO to leave Australian Booksellers Association, Exec Director leaves WA arts chamber…
How arts organisations are combating sexual harassment in the workplace
New initiatives and better resources are becoming available in the effort to create safer workplaces in the arts. Here’s what…
