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It’s a tough gig: gender inequality in the music industry
In the shadow of Hollywood’s battle with gender inequality, the music industry continues to be dominated by men at nearly…
Applause: latest funding and awards announced
Anywhere Festival award winners, UKARIA residents and BlakDance Residency Program participants announced, Walter Bourke Award winner revealed, and more.
Review: Black Swan State Theatre Company's The Events
Now THIS is what going to the theatre is all about. The Events is a thinking person's theatre at its…
Review: This Boy's in Love at Adelaide Cabaret Festival
Cappalletta works hard, bringing his considerable talent as a performer to the little stage, winning us over with a smattering…
Get over it: straddling the arts-sport divide
Sport excels at creating the kinds of universal metaphors and epic narratives that artists always strive for – so why…
Street performer reclaims Fed Square after far-right threat
Members of the far-right threatened and harassed a popular performer at Federation Square on Sunday. On Tuesday he and his…
Review: Jason Kravits Off the Top! at Adelaide Cabaret Festival
Led by Kravits, this show sets about creating a musical account of a cabaret singer ‘you’ve never heard of’ with…
Expanding Australia's cultural narratives on stage
Set in contemporary Western Sydney, Aanisa Vylet’s play, 'The Girl / The Woman', explores the interior lives of a first…
Top 10 tax claims for artists and creative professionals
For artists and creative professionals, it's important that tax claims are made only when justified. Here are 10 claims you…
Review: Handel's Athalia by Pinchut Opera
Pinchgut's production of Athalia is a rare chance to see this work. Athalia is musically excellent with a solid staging.
