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A toolkit to help kick-start your financial stability
Create NSW’s new toolkit for diversifying streams of income is a clear, practical resource with real examples and real outcomes…
The future workplace: adapting to an accelerated environment
Futurologist Rocky Scopelliti explores the rapid changes occurring in the modern workplace, and outlines ways workers can utilise the new…
On the move: the latest appointments and resignations
A change of dancers for Sydney Dance Company, new Director at Adelaide Film Festival, and more.
Review: In The Heights, Sydney Opera House
This show not only sizzles with supergiant energy but it’s a timely rebuttal to the whitewashing of Australian identity.
Let’s talk about your online presence
Six tips on creating an online presence that will help you make a living from your art.
From edifice to ecology: how performing arts centres continue to evolve
Australia's performing arts centres are increasingly focused on sector development and supporting the country's independent artists and the small to…
Review: Turandot, Opera Australia
An extravagant production of Puccini’s posthumous and deeply flawed masterpiece.
The Whiteley phenomenon – why a painter has impacted theatre, opera and film
Brett Whiteley is no longer exclusive to the visual arts, but has become part of Australian mythology. ArtsHub speaks with…
Review: Counting and Cracking, Belvoir
With an ensemble of astonishing depth Counting and Cracking is culturally, dramatically and comically rich.
Review: Wolfgang’s Magical Circus, Sydney Opera House
A terrific blend of circus and Mozart's music – a totally enchanting show.
