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Iconoclastic and empowered: the new wave of Middle Eastern Australian women writers
MENA women writers are gaining momentum in major literary prizes and across the nation’s bookstores, but is this movement iconoclastic?
Theatre review: Telethon Kid, Malthouse Theatre
The moral of ‘Telethon Kid’ hangs on a precarious through line that is tarnished in this make-believe world.
Where’s Wyong? Home to regional performing arts with national impact
As a leading centre of performing arts and innovation, The Art House puts the Central Coast on the national map
Creative companies filing for bankruptcy
Within days, two creative companies announced that they had moved into liquidation, confirming fears of a tightening economy in the…
So what’s in the Kandinsky blockbuster?
Following the hype surrounding the announcement of a Kandinsky blockbuster for Sydney, ArtsHub takes a look at what will be…
Q&A: Meet the creatives behind Tae Tae in the Land of Yaaas!
Glass slippers and pumpkins aside, Tae’s wheels of steel are roaring into this year’s Brisbane Festival with her Fairy Godmother…
Theatre review: I Said This To the Bird, La Mama Courthouse
Performed entirely in Farsi, Dr Mammad Aidani’s bold provocation to the establishment struggles to affect.
The "helping" hand of allyship: Indigenous art, authenticity and politics
A look at the fraught disparity between non-Indigenous arts workers and the Cultural obligations of their Indigenous counterparts, as well…
Theatre review: Fade, Riverside Theatres
A profound critique of affirmative action and show business culture.
On the move: latest sector appointments
A GM is farewelled, a Director of Engagement appointed, and more.
