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A dance performance at where dancers wear an exoskeleton of prosthetic limbs. The stage is illuminated in white light and five of the dancers are conjoined, facing a single dancer with their back to the camera. U>N>I>T>E>D
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Dance review: U>N>I>T>E>D, Asia TOPA 2025

A futuristic epic that turned philosophical.

A row of cassette tapes. They are in different colours: orange, blue, green, pink and white.
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Exhibition review: Middle of a Moment: Aki Onda, The Substation, Asia TOPA

A multisensory exhibition exploring sound and memory.

Two panels. On the left is Amanda Anastasi, a woman with long brown hair wearing a dark top. On the right is the cover of her book, Taking Apart the Bird Trap. It features a black and white illustration of a birds away from the top of a woman's head.
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Book review: Taking Apart The Bird Trap, Amanda Anastasi

This poetry collection explores life, loss and death in the western suburbs of Melbourne.

A woman in a blue jumpsuit and yellow beanie facing a video camera. The background is of snowy mountains.
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Performance review: Night Night, State Theatre Centre WA, Perth Festival

A magical-realist show about the origins of life on earth.

A concert scene with lots of bright lights and backdrop. Four figures in cream can be seen on stage and a back up band behind them.
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Performance review: Björn Again, West Gippsland Arts Centre

The ABBA tribute band are back on a country-wide tour.

A young man and an older man are staring at blank canvas. Shellshocked.
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Theatre review: Shellshocked, Holden Street Theatres, Adelaide Fringe Festival

The psychological ravages of war laid bare in unexpected ways. 

Women of the Soweto Choir in colourful clothing.
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Performance reviews: Hope and Gluttony, Adelaide Fringe Festival

A choir full of hope and other assorted goodies in this year's Adelaide Fringe.

A brunette woman in a red singlet is staring up at a blond man in a olive top.
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Theatre review: Berlin, The Stables Meat Market, North Melbourne

Secrets and lies, the past and the present: Joanna Murray-Smith's play returns for a short season.

Irish actor Stephen Rea in Samuel Beckett's 'Krapp's Last Tape' at Adelaide Festival 2025. The photograph depicts Rea, an older fair-skinned man with an unruly shock of greying hair, hunched over an old reel-to-reel tape deck to which he listens anxiously.
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Theatre review: Krapp’s Last Tape with Stephen Rea, Adelaide Festival 2025

A masterful actor performs Beckett’s masterpiece about the inevitable march of time: an unmissable production.

Sebastian Geilings in Australian Dance Theatre's 'A Quiet Language', Adelaide Festival 2025.
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Dance review: A Quiet Language, Australian Dance Theatre, Adelaide Festival 2025

A complex, compelling production, by turns anguished and joyous, angry and elegiac, honouring six decades of radical dance history.

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