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Branding the artist
Increasing professionalisation of the arts is stymying the ability of artists to take control of their sector.
The commonality of ritual: Khaled Sabsabi’s Organised Confusion
Twenty four artists will come together as part of 24 Frames Per Second, an exhibition of screen-based works at Carriageworks…
How to persuade government to give you $438 million
Demonstrating worth, not need, was the key to convincing the WA Government to invest in a new museum.
Dissolving deities: 20 tonnes of ash to occupy Carriageworks in the form of Sydney Buddha
In association with Sydney Festival, Carriageworks will present a monumental sculpture of Buddha moulded from ash.
The art we’re not seeing
Performing artists and companies from Europe, the UK and North America still dominate our touring stages: do we have a…
Nature computes, art deciphers: Ryoji Ikeda’s superposition
Highly successful electronic composer and visual artist, Ryoji Ikeda will bring his larger-than-life new work to Carriageworks in 2015.
Unveiled: Tasmanian International Arts Festival and David Lynch
A rebranded arts festival embraces all of Tasmania, a major retrospective announced for QAGOMA, and Here Lies Love pops up.
Female-only film festivals should not exist
Ideally we would have no need for festivals that promote women in film, as we would already give them the…
From birdsong to canon fire: Fly Away Peter’s operatic rendition
Sydney Chamber Opera will contemporise David Malouf’s Fly Away Peter into a symphonic feast at Carriageworks in 2015.
Festivals fight for independence
Festival directors around the country have reacted with concern to the proposed merger of Adelaide Festival and the Adelaide Festival…
