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Review: Between Appearances: the art of Louise Weaver, Buxton Contemporary (VIC)

Weaver is an artist who looks beyond the surface, who uses materiality and familiarity to usher the viewer into a…

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Review: The Boy I Paid For, Midsumma Festival (VIC)

There are moments of gentle humour and intimacy in this production but the story is indulgent and implausible.

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Film review: Present Laughter, National Theatre Live

A deliciously camp version of the Noël Coward play, direct to Australian screens from the London stage.

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Review: Eyes Wide Woke, Midsumma Festival (VIC)

What starts as a funny and relatable exposé of middle-class hypocrisy becomes uncomfortably screamy, shouty and stereotypical.

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Review: The Life of Us, Hayes Theatre (NSW)

An absorbing and intimate new Australian musical exploring long-distance love.

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Review: Don Giovanni, Sydney Opera House (NSW)

Opera Australia’s revival run of Sir David McVicar’s production is part revelatory – and part not.

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Book review: Field of Poppies by Carmel Bird

A gentle allegory for the notion that the good life goes on – for the privileged, at least.

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Swan Lake Act II & Graduation Ball, QPAC (QLD)

Ballet Theatre Queensland presents a double bill that juxtaposes precision and humour.

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Body Rights, Fringe World (WA)

A quartet of original works explores bodily autonomy with mature, innovative performances.

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The Centre, Mona Foma (Launceston, TAS)

A local gym comes alive with video installations exploring the body, discipline, endurance and community.

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