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Are bricks and mortar necessary to building culture?
Australia’s cultural sector is in a building boom. A recent SAMAG panel, however, discussed the realities of mounting a redevelopment,…
Career spotlight: Art Teacher
Three visual arts teachers, each with very different career paths, and very different teaching scenarios, take the pulse on art…
On the Move: latest appointments and resignations
New appointments for National Art School, WASO, WAAPA, Musica Viva, Sydney Theatre Company, Expressions Dance Company, and more.
Shadow Arts Minister loses seat
After a drawn-out vote count, Heidi Victoria this week formally acknowledged her loss in the Victorian seat of Bayswater, leaving…
Peak body for performing arts touring calls it a day
Changes to the sector, coupled with funding strictures and the need to avoid duplicating services, have led to the Performing…
ICYMI: A wrap of this week’s arts news
New public art at Carriageworks, latest program announcements, a ground-breaking Indigenous education program, Live Music Census results, and more.
How IACA is strengthening regional representation of Indigenous artists
Indigenous artists want to be included in conversations, conferences and policy-making decisions involving their work and culture. Here’s how we…
Entries open for $20,000 Gallipoli Art Prize
Entrants are encouraged to respond to the values of Gallipoli, including loyalty, respect, love of country, courage and comradeship.
Sector calls for new Artistic Investment Framework to replace MPA Framework
From across the nation, 25 independent, experimental, contemporary and cross-artform organisations have put their name to a joint statement calling…
Review: Mad, Bad, Dangerous to Know by Colm TóibÃn
By picking the fathers he did, TóibÃn has made a brilliant choice and has produced an exceptional biographic work.
