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Story vs song: juggling the needs of different narrative forms
The narrative needs of theatre and songwriting can differ significantly, so how do you go about fusing them together in…
Haunting history play to premiere at new First Nations festival
There’s a special feeling on Boorloo boodja (Perth country) in the lead up to Black Swan State Theatre Company’s inaugural…
That sinking feeling
One month after Melbourne's RISING was forced to close after only a single night of performances, Tim Byrne reflects on…
Connecting with Country through theatre
Mitch King's new work is about storytelling on Country, with and for the community, and about the Yaegl people's connection…
15 years of amplifying Tasmanian voices
Established in 2006, Tasmania Performs remains agile and responsive, and dedicated to developing Tasmanian artists and showcasing their stories to…
Exit interview: Kris Stewart, Brisbane Powerhouse
After eight years and 2,5000 productions, Kris Stewart has left the Powerhouse to take on a new role as CEO…
The joys and challenges of making art for babies
Everybody has a right to a cultural life, including toddlers and babes in arms. The presentation of such work can…
Exit interview: Tim Munro, Theatre Royal, Hobart
After 17 years as CEO of Australia’s oldest continually operating theatre, Tim Munro is moving on. He reflects on his…
How festivals are coming out of COVID
After 2020’s postponements, festivals are back with a renewed focus on the local, exciting audiences across the nation.
Staging COVID-safe arts events outdoors
Sarah Neal, Executive Producer and Co-CEO at Malthouse Theatre, and Glyn Roberts, Artistic Director of the Castlemaine State Festival, share…
