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Two male dancers, wearing orange prison overalls rolled down to the waist. Their chests and arms and the floor are streaked with white ochre. Chandler Connell is to the left, in the background, kneeling, arms outstretched to his side. Alexander Abbot is to the right in the foreground. He is standing, legs wide, and leaning back. The background is black.
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Dance review: The Other Side of Me, Darwin Festival

The NT Dance Company's world premiere is truth-telling powerfully expressed by two dancers representing one First Nations man.

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Dance review: 4/4, Merlyn Theatre

Embodied, rigorous and sensorially spectacular, Chunky Move’s latest dance work will linger long past the final beat.

Four performers dance between mirror plinths in a gloomy space
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Dance review: Shifting Perspectives, Queen’s Theatre

Shifting Perspectives was a beautiful mind-bending experience that expanded and stretched our reality. 

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Ballet review: Giselle, Arts Centre Melbourne

The Tokyo Ballet production of this beloved classic is enough to prove the existence of magic.

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Dance review: Jewels, Arts Centre Melbourne

Pretty and charming traditional ballet, though it lacks gravitas.

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Theatre review: The Wizard of Oz, The National Theatre

A loving adaptation of an old favourite.

Euan Fistrovic Doidge, Elandrah Eramiha, Monique Salle, Mark Hill. Image Darren Thomas
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Musical Theatre: The Wizard of Oz in Concert, QPAC

The latest production from Prospero Arts of a perennial favourite ticks many heart-warming boxes.

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Dance review: Yuldea, Sydney Opera House

The clash of traditional Indigenous life and atomic testing at Maralinga.

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Dance review: STATE, State Theatre Centre of WA

Two exciting works of contemporary ballet, inspired by musicality, vulnerability and destruction.

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Performance review: Buŋgul, Hamer Hall, RISING

Gurrumul Yunupiŋu’s album 'Djarimirri (Child of the Rainbow)' is translated for the stage by Yolŋu dancers and songmen with the…

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