Sydney
Ballet review: Manon, Joan Sutherland Theatre, Sydney Opera House
A technically and emotionally challenging ballet that, despite its traditional staging, still asks relevant questions today.
2025 Archibald finalists announced: conversation with curator Beatrice Gralton
This is the curator's first time delivering the finalist exhibition for three of Australia's most prestigious and best loved prizes.
Timothy Jones: What I’ve learned after 16 years at the Seymour Centre
Tim Jones reflects on the highlights and challenges of his 16 years at Seymour, and shares his firmly held beliefs…
Theatre review: In the Next Room (or The Vibrator Play), New Theatre, Newtown
This play about female orgasms spans humour and social commentary.
Sydney Dance Company prepares for its 2025 international tour
Globetrotting into prestigious venues and an artistic residency.
Theatre review: SNAKEFACE, Belvoir St
A reclamation of self inspired by the Medusa myth.
Special singalong performance of RENT to join the musical's season
A chance to sing along to Jonathon Larson's award-winning tunes...
Theatre review: Big Girls Don't Cry, Belvoir St Theatre
1960s Redfern as seen through the perspectives of a group of Aboriginal women.
Textile-based artworks unfurl narratives of diversity in Sydney's Royal Botanic Garden
Women from Multicultural backgrounds find connection through storytelling via plants and textiles.
New Indigenous Literacy program kicks off
Four First Nations creatives head to Sydney to skill up for new futures as publishers, graphic designers and writers in…