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First 59 participants announced for the 2022 Biennale of Sydney

Launching the theme of the 23rd Biennale of Sydney, the message was clear: this is an exhibition about sustainability, continuity…

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Exhibition Review: Michael Cook Natures Mortes at Andrew Baker Art Dealer (QLD)

First Nations photographer Michael Cook takes a spin on a Dutch Old Masters aesthetic in a new series that weaves…

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Exhibition Review: William Yang, Seeing and Being Seen, QAG

Celebrating the flaws in real life lived, one feels equally a voyeur and a participant in William Yang's narratives.

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Exhibition Review: Rebecca Belmore, Griffith University Art Museum

Belmore's work positions the viewer as a witness and encourages us all to face what is monumental, and a shared…

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Exhibition Review: Mervyn Bishop, National Film and Sound Archive

Australia's first Indigenous photojournalist Mervyn Bishop helped shaped Australian narratives. This exhibition looks at 60-years of his iconic images, as…

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What getting Aboriginal art advocacy right looks like

Desart does professional development well – from a mentoring Photography Art Prize, to nurturing business skills for arts centres, and…

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Q&A: Artist Wiliiam Yang on growing up gay and Chinese

He has been described as "the storyteller", blurring the boundaries of performance, photography and text to explore sexuality and identity…

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Lighting the FUSE on an explosion of community creativity

Growth, change and adaptability are key elements of any creative practice, whether of individual artists or local councils, especially in…

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The rise in First Nations arts jobs

ArtsHub jobs data shows that there has been a strong increase in the number of positions for First Nations professionals…

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Lisa Havilah on programming for the future

Climate change innovation. Studio ceramics. Eucalyptus. Persian artefacts. Diversity is the key to Powerhouse’s 2021 program, as it steps into…

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