Performing Arts
Review: The Longest Minute at Jute Theatre
An exceptional performance was given by Chenoa Deemal as Jess Wright, the protagonist and narrator of this overall jovial yet…
Review: Troilus and Cressida at The Depot Theatre
Director Sean O’Riordan wasn’t wrong to describe Troilus and Cressida as a 'problem play'.
What sponsors want from the arts
Sponsorships are not philanthropic donations – they are business investments from which companies want a return. We ask major sponsors…
Review: Mother’s Ruin A Cabaret About Gin
Despite its flaws, Mother’s Ruin is a hell of an enjoyable performance with a clearly talented ensemble.
On the Move: latest appointments and resignations in the arts
WAAPA Executive Dean departs; Chamber Made CEO steps down; Perth Festival appoints next AD and Speak Percussion announces new EP.
Review: Summer of the Seventeenth Doll at Heath Ledger Theatre
Hope, love, mortality, delusion, class identity and gender equity are all explored within the single setting of a 1950s inner…
Lessons from Frankie on the future of craft and making
Frankie editor-in-chief Jo Walker talks trends in craft and what the future of making looks like in Australia.
Auditions now open for the Journey Program at Actors Centre Australia
Learn from leaders in the industry at Actors Centre Australia, where the Advanced Diploma of Performing Arts is now open…
Review: Shirley Valentine at Ensemble Theatre
Willy Russell’s play, Shirley Valentine, was written just over 30 years ago. Now, in this marvelous production the play feels…
Broadway in a year of reckoning
What is the responsibility of theatre-makers towards live shows that either were created or are set in the past –…