Performing Arts
Review: Romeo Castellucciâs Requiem, Adelaide Festival (SA)
Rich in symbolism, doom and hope, you live through the cycle of life and death at the hands of Romeo…
How focusing on the sectorâs vitamin deficiencies makes work stronger
Perhaps best known as a touring body, Performing Lines has a key role to play in strengthening the sector by…
Bushfire affected organisations encouraged to apply to future-proofing program
A new professional development program designed to help small to medium arts organisations transform their business models has been launched…
Applause: Latest funding and awards announced
Janine Hosking receives prestigious documentary award, Port Fairy Folk Festival honours its founder, 2020 Kat Muscat Fellow announced and more.
Building resilience into your arts practice
Sustaining work in the arts is always a challenge, but in times of adversity it can be even harder to…
Is your art a hobby or a business (from the archives)
Three ways to know whether you are really in the arts business or just kidding yourself about your hobby.
Review: A O Lang Pho, Arts Centre Melbourne/Asia TOPA (VIC)
Vietnamese Bamboo Circusâs stunning show embeds impressive physical skills in a vivid, cohesive narrative.
Review: Dragon Ladies Donât Weep, Arts Centre Melbourne/Asia TOPA (VIC)
Margaret Leng Tan cuts a figure of elegance, grace and ferocity in this blend of piano, storytelling and projection art.
Review: Cultural Renegades, Adelaide Fringe (SA)
An inclusive blend of hip-hop and spoken word that will get you moving.
On the Move: Latest sector appointments & departures
Head of Sector Development role created and appointed at the Australia Council, City of Melbourne appoints Creative City Director, new…