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Crazy ceramic of an Asian style fish in bright colours. Wedgwood
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Exhibition review: Wedgwood: Artists and Industry, Perc Tucker Regional Gallery

This exhibition is an incredible coup, and it delivers on this rare opportunity in spades.

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Book review: Mother Tongue, Naima Brown

Motherhood, womanhood and the power of words.

A black woman in a red top holding back her pony-tailed hair.
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Comedy review: Anisa Nandaula: You Can't Say That, The Victoria Hotel

What's it like being a black girl in Australia?

A group of kids standing on the red sand that has been projected with yellow and red circular patterns, while adults are watching on the side.
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Event review: Parrtjima – A Festival in Light 2025, Alice Springs Desert Park

Parrtjima offers joy and hope in a dazzling display of storytelling through light.

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Comedy review: Ting Lim: What I Really Think, QT, MICF 2025

Cheerful comedy from a stand-up on the rise.

Two young woman and a man are staring at a ship sinking.
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VR immersive review: Titanic: A Voyage Through Time, 206 Bourke Street, Melbourne

Glitches need to be ironed out, but this VR experience will transport you back to 1912, to the majesty and…

A blue sculpture with tentacles
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Exhibitions review: Akishi Ueda, Mark Seabrook, Creatures: Art Toys & Sculptures group show, Beinart Gallery

A smorgasbord of surrealism lies quietly in Brunswick.

Against a yellow and orange backdrop a woman is carrying a hobby horse. She is also wearing horses ears hat.
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Comedy review: Elf Lyons: Horses, Malthouse Theatre, MICF 2025

Elf Lyons is definitely horsing around.

A back and white photo of a man with his mouth open and his eyes closed.
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Comedy review: Lewis Garnham: Stream of Contentedness, Spleen Bar, MICF 2025

Lewis Garnham shows why the world really is a strange place.

Two panels. On the left is author Kirsten Alexander. She has brown hair and a light blue top and is smiling. On the right is the cover of her book 'After the Fall.' It features a window, through which you can see a landscape.
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Book review: After the Fall, Kirsten Alexander

A story about benevolent and malevolent connections and the elasticity of morality.

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