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Review: HIR at Studio Underground

HIR is a black comedy that dissects the dysfunctionality of family and the general disarray that describes life, and is…

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Review: Sydney Dance Company’s ab [intra]

Rafael Bonachela's new work is stark and stunning.

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Review: The Bleeding Tree at Arts Centre Melbourne

Angus Cerini’s award-winning play is magnificent, horrific and remarkable.

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The Death Of Noah Glass by Gail Jones

This is a novel of subtle shades and nuances, overflowing with references to literature, art and cinema published by text…

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Review: The Longest Minute at Jute Theatre

An exceptional performance was given by Chenoa Deemal as Jess Wright, the protagonist and narrator of this overall jovial yet…

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Review: Mother’s Ruin A Cabaret About Gin

Despite its flaws, Mother’s Ruin is a hell of an enjoyable performance with a clearly talented ensemble.

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Review: Troilus and Cressida at The Depot Theatre

Director Sean O’Riordan wasn’t wrong to describe Troilus and Cressida as a 'problem play'.

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Review: Summer of the Seventeenth Doll at Heath Ledger Theatre

Hope, love, mortality, delusion, class identity and gender equity are all explored within the single setting of a 1950s inner…

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Review: The Sugar House at Belvoir St Theatre

Alana Valentine's tale of Sydney's class struggle on stage at Belvoir St Theatre.

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Review: Opera Australia's Don Quichotte

A welcome appearance of a French rarity conducted by a connoisseur.

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