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Review: Kenny Sebastian – Live, The Tivoli

Kenny Sebastian’s stand up comedic evening at The Tivoli in Brisbane delivered some genuinely funny skits, along with some surprisingly…

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Review: Love, Darlinghurst Theatre Company

This production strikes and grasps at the audience, gouging presumption to open the heart.

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Review: Polly Borland, NGV

An interesting and at times confronting exhibition that showcases Borland’s work over the last decade.

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Review: The Year of the Farmer by Rosalie Ham, Pan Macmillan

The reader looking for a good yarn in a rural setting will find it here.

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Review: MSO – Beethoven 5, Hamer Hall

A famous performance of classical music’s most famous composition.

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Review: Supernatural, White Rabbit Gallery

The best work in this exhibition draws from the country’s deeper heritage to create an eloquent throughline for the viewer.

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Review: The Overcoat, Downstairs Theatre

Aspirations, egos, classes and tones all clash in The Overcoat – a title as innocuous as it is tragic.

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Review: The Wharf Revue 2018: Déjà Revue, Sydney Theatre Company

The familiar awfulness of Australian politics is clearly a curse but the familiarity of the revue itself is a mixed…

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Review: My Country by David Marr, Black Inc.

David Marr’s anthology, My Country, burns the names of those who fall under his crosshairs into their political headstones.

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Review: Twelfth Night, Southbank Theatre

MTC’s take on Shakespeare’s tale of desire, love and disguise has a stellar cast but is worth going to for…

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