Reviews
Review: Australia Day by Melanie Cheng
Melanie Cheng holds up a mirror to ourselves, and what we see does not always make us comfortable.
Review: Gloria, Melbourne Theatre Company
A darkly humours skewing of those who dwell in the ivory tower of publishing.
Review: Patti LuPone: Don’t Monkey with Broadway
LuPone delivered the goods, and then some.
Review: Black Swan State Theatre Company's The Events
Now THIS is what going to the theatre is all about. The Events is a thinking person's theatre at its…
Review: This Boy's in Love at Adelaide Cabaret Festival
Cappalletta works hard, bringing his considerable talent as a performer to the little stage, winning us over with a smattering…
Review: Jason Kravits Off the Top! at Adelaide Cabaret Festival
Led by Kravits, this show sets about creating a musical account of a cabaret singer ‘you’ve never heard of’ with…
Review: Verdi’s Requiem, Sydney Symphony Orchestra
An unusual hybrid creation that straddles both church and state, superbly performed, and streamed throughout the world.
Review: Handel's Athalia by Pinchut Opera
Pinchgut's production of Athalia is a rare chance to see this work. Athalia is musically excellent with a solid staging.
Review: Above Ground at Riverside Theatres
Form Dance presents a thought-provoking visually striking double bill of contemporary dance.
Review: Shaken: A James Bond Cabaret at Chapel off Chapel
Who is the best 007? This long debated question is the light-hearted driver of Charlie D. Barkle and Erin Hutchinson’s…