Reviews
Review: Sydney Dance Company’s PPY18 Revealed
In 2018 we see Sydney Dance Company’s 23 graduates in this thrilling program, which was an exciting mix of five…
Review: The Gruffalo's Child, Athenaeum Theatre
The set design for The Gruffalo's Child is very simple but effective. There’s also lots of participation required from the…
Review: Adelaide Symphony Orchestra's Christmas Proms
It’s the most wonderful time of the year!
Review: The Madness of George III, National Theatre Live
Mark Gatiss deserves all the praise for his role as King George III.
Review: Noŋgirrŋa Marawili - from my heart and mind, AGNSW
A contemporary take on a very old tradition speak both of legacies and a very energised and personalised future.
Review: Danger Music by Eddie Ayres, Allen and Unwin
Ayres teaches us the transcendental power of music, Afghanistan’s fighting spirit and the peaks and valleys of the Middle East.
Review: David Williamson’s The Club, Belvoir
With an engrossing story, shrewd female perspectives, complex shed debrief and some excellent physical comedy, including moustache work, The Club…
Review: Soul of the Border by Matteo Righetto
Without supplementing their earnings by smuggling tobacco, the de Boers family cannot survive.
Review: Tony Tuckson – the abstract sublime, AGNSW
Having on had two exhibitions in his lifetime, Tuckson's contribution to Australian abstraction is still felt, as was his celebration…
Review: Evita, Arts Centre Melbourne
Broadway legend Hal Prince has recreated his original 1978 production of Tim Rice and Andrew Lloyd Webber’s Evita starring local…