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Review: Songs and Times of Sam Cooke: A change is gonna come, Brisbane Powerhouse

More than half a century after the legendary soul singer Sam Cooke recorded his live album at the Harlem Square…

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Review: Nigel Kennedy in Recital, Adelaide Festival Centre

The bad boy of classical music shows his jazz chops in a dazzling display at the Festival Theatre.

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Review: Herringbone, Kings Cross Theatre

Strange and disturbing but brilliant, Herringbone is a fabulous showcase for Jay James-Moody.

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Review: Gender Euphoria, Midsumma Festival

Goodbye gender dysphoria, hello Gender Euphoria! A highlight of the Midsumma Festival.

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Review: Trick of the Light by Laura Elvery, UQP

One of the stories is a spine-chilling reminder of the effect of unintended consequences.

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Review: Wozzeck, Opera Australia

Artist William Kentridge gives us a mesmorising version of Berg's Wozzeck, his signature animations ramped up to horror vacui proportions,…

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Review: You Will Always Be Someone From Somewhere Else by Dao Strom

In poems, Dao Strom attacks the origin of the words she’s learned since leaving Vietnam for America.

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Review: Mirka Mora: Pas de Deux—Drawings and Dolls, Heide Museum of Modern Art

This intimate exhibition collected from Mirka Mora’s home and studio is a show of work originally intended mostly for herself,…

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Review: The Big Time, Ensemble Theatre

Williamson delivers yet another hilarious and incisive theatrical experience with The Big Time.

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Review: FRONT, FRINGE WORLD Festival

SLATE’s first offering, FRONT, is a fun romp from rehearsal room to stardom with a Mötley Crüe of musical misfits.

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