Reviews
Review: Only the Penitent Shall Pass, Rosny Farm (TAS)
Swiss dancer Nicole Morel delivers tactile engagement with Andrew Hustwaite’s installation.
Review: Almost, Maine, Meat Market Stables (VIC)
A lightness of touch from Between The Buildings does great justice to playwright John Cariani’s vision.
Review: James Drinkwater, Newcastle Art Gallery (NSW)
From a Kenyan schoolyard, to making art on Berlin's streets, to Newcastle's sea pools, this exhibition reminds us that everything…
Review: The Return of Ulysses, Pinchgut Opera (NSW)
Pinchgut Opera once again delivers a triumph in a minimal production of a rarely performed opera.
Review: Doppelgangster's Cold War, Prague Fringe Festival
It’s easy to let the trajectory of the aural-optical assault wash over you, but blink and you’ll miss it all.
Review: Siloam and Simon Denny’s Mine, Mona/Dark Mofo (TAS)
The Museum of Old and New Art’s new $27 million extension features artworks by Alfredo Jaar, Ai Weiwei and others,…
Review: The Irresistible, Dark Mofo (TAS)
The Irresistible is a stylish sci-fi thriller that has you on the edge of your seat.
Review: Murder on the Wireless, Ensemble Theatre (NSW)
The double bill dovetails nicely in a delightful evocation of the heyday of the radio play.
Review: Things I Know To Be True, Belvoir Theatre (NSW)
An amusing family drama by Andrew Bovell that shows the cracks in picture-perfect Australian suburbia.
Review: Rafiq Bhatia, The Jazzlab/MIJF (VIC)
The visceral harmonies of jazz and drone metal come together in true fusion.