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Review: The Tempest, Trinity Parish Hall (QLD)

Zen Zen Zo’s physical theatre interpretation of Shakespeare is compelling and immersive.

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Review: Endgame, Civic Theatre Newcastle (NSW)

The Very Popular Theatre company’s production of Beckett’s play is spirited and faithful.

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Review: Australian Realness, Malthouse Theatre (VIC)

Zoey Dawson’s insightful satire exposes the hypocrisy of middle-class liberalism.

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Review: Jasper Jones, State Theatre Company (SA)

Kate Mulvany’s adaptation is enjoyable and whimsical though it never fully confronts the story’s darker themes.

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Review: Legally Blonde, Erindale Theatre (ACT)

Despite a disappointing script, this musical shines with strong performances and show-stopping dance numbers.

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Review: Rainbow’s End, Darlinghurst Theatre (NSW)

Jane Harrison’s play follows one Yorta Yorta family’s struggles against assimilation during the Menzies era.

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Review: Ghost Quartet, Gasworks Arts Park (VIC)

The inaugural production from Antipodes presents Dave Malloy’s exquisite and eclectic song cycle about life, death, ghosts and whiskey.

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Review: Return Flight MEL>HKG, Blender Studios (VIC/Hong Kong)

The third and last stop in Going Down Swinging’s international project has resulted in an intricate, optimistic, and multilayered exhibition…

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Review: Sensory Decadence, Gasworks Theatre (VIC)

One Fell Swoop’s circus production serves up exhilarating acrobatics and delicious contrasts.

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Review: The Apparatus, Blue Room Theatre (WA)

A triptych of works by Kafka with dynamic physicality.

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