Reviews
Review: Werther, Opera Australia
A breezy opera that spirals into romantic tragedy, Werther is one of opera's most performed productions and it returns to…
Review: Harry Potter and the Cursed Child, Princess Theatre, Melbourne
Presented as two full-length plays, which audiences can see on consecutive nights or back to back on the same day,…
Review: Sara Macliver in Concert with Camerata, QPAC
The opening concert of Camerata's 2019 season offered an eclectic and interesting choice of repertoire.
Review: Swell 4.0 – Music as Medicine
A live-music experience that puts you front and centre of making, listening, sharing and reminiscing about music that moves.
Review: King Arthur: Gabrieli Consort & Players
It is a rare treat to see one of Europe’s most highly regarded ensembles performing in the intimate setting of…
Review: Sydney Symphony Orchestra – Bartók’s Concerto for Orchestra
A disappointing commission and two flavourless readings of colourful and dynamic works opens the SSO’s 2019 Masters Series.
Review: I'm Not Running, National Theatre Live
David Hare's latest is flat and disappointing.
Review: Don't Be a C***: This is How, The Butterfly Club
A troubling piece of theatre that struggles to deliver.
Review: Idols - Ramesh Nithiyendran and Renee So, Fremantle Arts Centre
True to the adage that opposites attract, the vast stylistic differences of these two artists make for an uncanny yet…
Review: Beside Myself by Sasha Marianna Salzmann
Beside Myself is fiction at its highest purpose – a debut novel that comes straight from the gates like a…