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Review: Spice Night, Seymour Centre/Mardi Gras (NSW)

A joyful and irreverent night of queer and Asian comedy.

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Review: Life is Impossible, Old 505 Theatre (NSW)

Broadway fantasy meets wartime socialist activism to mixed success.

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Review: Cloudstreet, Perth Festival (WA)

Despite a strong cast, the emotional resonance of Winton’s epic story is buried in the bluster.

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Book review: The Salt Madonna by Catherine Noske

Noske’s debut is a fine example of modern Australian Gothic storytelling.

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Review: Hofesh in the Yard, Perth Festival (WA)

Shechter’s no-holds-barred style is brought to life in brilliant fashion by an all-Australian cast.

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Review: Kate Tempest, QPAC (QLD)

Tempest is a force of nature, a stage stealer, a charismatic performer of sharply drawn narrative who crosses genre boundaries…

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Review: Colossus, Perth Festival (WA)

A dance work of epic proportions, Stephanie Lake's Colossus is performed with wonderful sensitivity and precision.

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Review: CO_EX_EN, QPAC (QLD)

Impressive and evocative, Karul Projects’ performance tells the story of a cultural site on Bundjalung country.

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Review: Beethoven 1, 2 & 3, Australian Chamber Orchestra (National)

Fast and furious wins the day in ACO’s tour celebrating Beethoven’s 250th birthday.

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Review: Terminus, Heide Museum of Modern Art (VIC)

Jess Johnson and Simon Ward’s exhibition combines virtual reality, textile works, and retrofuturistic aesthetics.

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