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Three women. One is seated in the middle with yellow yarn. The other two gather around her.
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Theatre review: Macbeth, Roundhouse Theatre, La Boite Theatre

Seen via the lens of the prophetic three witches, a reimagined 'Macbeth' offers much promise, but fails in its vision…

Billie Eilish 'Hit Me Hard and Soft: The Tour' in Melbourne. The singer is at the centre of a 360-degree stage holding an acoustic guitar and singing into the microphone.
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Music review: Billie Eilish, Hit Me Hard and Soft: The Tour 2025, Rod Laver Arena

Billie Eilish's 'Hit Me Hard and Soft' left the crowd buzzing from the energy.

Two panels. On the left is a black and white photo of Steph Bowe. She has dark hair and is smiling. On the right is the cover of her book, 'Sunny at the End of the World.' It features an illustration of a young boy and girl walking on a path towards a city.
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Book review: Sunny at the End of the World, Steph Bowe

A clever and endearing story of survival in a world that has drastically changed.

A man in drag on stage. There is a band behind him.
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Performance reviews: Hedwig and the Angry Inch and Camille O’Sullivan: Loveletter, Adelaide Festival

Two Adelaide Festival shows look to the past, but with varying degrees of success.

A chalk drawing of a figure on the ground. There is someone dressed as a king and a detective overlooking it.
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Performance review: Dropped in It: Crime Scene Improvisation, Adelaide Fringe

An improvised crime scene comedy where one-liners and terrible puns could prove deadlier than any weapon.

A group of people lying on top of each other covered in mud.
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Theatre review: Henry 5, The Playhouse, Sydney Opera House

Bell Shakespeare kicks off its 2025 season with this modern and accessible adaptation performed by a fresh-faced cast. 

A white gallery space with black and white photographs along the walls and a shiny wooden floor. Dianne Jones
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Exhibition review: Dianne Jones | The Beach, Walyalup

An exhibition to make you smile while reflecting on Australia's serious past injustices.

Two panels. On the left is author Garrett Carr who has grey hair and beard and wearing a navy blue shirt. On the right is the cover of his book 'The Boy From the Sea' that feature a young boy on the left looking at the sea with seagulls flying above.
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Book review: The Boy from the Sea, Garrett Carr

An abandoned baby is found and adopted into a struggling family.

The Australian Ballet's 'Carmen', 2025, choreographed by Johan Inger, featuring Jill Ogai in the role of Carmen. A dark-haired woman in a red, ruffled dress, her legs bare, gestures dramatically and powerfully towards the camer. Three man are faintly visible in the gloom behind her. All four people are ballet dancers performing in the ballet 'Carmen'.
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Ballet review: Carmen, Regent Theatre

A fresh interpretation of a centuries old story that sizzles and provokes on stage.

Isabel & Alfredo Aquilizan, 'REFLECTIONS/HABITATIONS', 2025. Installation view, 'Thinking together: Exchanges with the natural world', Bundanon, 2025. A large sculpture made from recycled cardboard in minimal gallery setting. Aquilizan
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Exhibition review: Thinking together: Exchanges with the natural world, Bundanon

An exhibition that communes with nature in surprising and disparate ways.

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