Features
Indigenous photography – complex, contemporary, surprising and fresh
If the well-used adage that a picture speaks a thousand words is true, what is the current focus on Indigenous…
Facebook vs Face to Face: Analogue bodies in a digital world
From robots and long-distance rehearsals, to new models of collaboration and company structures, technology will change all our lives.
Tasmanian ecology shifts as festivals move out of Hobart
Will the relocation of Ten Days on the Island and Mona Foma away from Hobart help heal Tasmania’s long-standing north-south…
The entrepreneurial value of wild ideas
Back to Back Theatre's Alice Nash on the ingredients needed to make great work, and the value of such work…
Exit interview: Lindy Hume
After almost six years as Artistic Director of Opera Queensland, Lindy Hume shares her experiences of running the AMPAG company…
Sydney's Cloud Arch critics and our mean-spirited approach to public art
Australians displays a consistently miserly approach to public art, with typically miniscule budgets requiring artists to respond with agility to…
Ladies and gentlemen of the audience: what is your verdict?
Audience members get to vote in courtroom dramas which pit our need for entertainment against a range of contemporary legal…
Friday essay: why libraries can and must change
In the age of the globalisation of everything – and the privatisation of everything else – libraries can and must…
Why the arts sector loves long lead announcements
Revealing the centrepiece of your program months in advance has become a common tactic, but what value do such announcements…
Fringe themes reveal artists’ deepest concerns
Open access festivals like Sydney Fringe and Melbourne Fringe provide a snapshot of the current cultural zeitgeist.