Features
Born from chaos, Barking Gecko Theatre is 30 years strong
Given the current state of arts funding, Artistic Director Luke Kerridge is taking hope from the turbulent birth of Barking…
The destruction of Sydney’s cultural spaces is creating a city of ghosts
Moving properties from public hands to private developers radically shifts who has access to these spaces and the culture they…
Collecting the history of video games
Ahead of the NFSA's Digital Directions conference, screenhub talks to Jon-Paul Dyson of The Strong National Museum of Play.
What Tom Muller has to say about Fremantle Biennale
On the cusp of its second iteration, we look at how this art event is busting open 'outpost syndrome' by…
Sydney Festival becomes Australia’s single largest commissioner of new work
Festivals play a vital role in commissioning and co-commissioning work from small to medium companies and independents. Without them, the…
What Jacinda Ardern’s leadership means for the arts
New Zealand's progressive PM has much to teach other world leaders in her championing of the arts and compassionate government.…
New projects focus on the rights of artists with disabilities
The supported studio model is one way of tackling some of the barriers artists with disabilities face in pursuing their…
The Art of a Good Protest Placard
Like protest or activist art, placards convey a political message to large audiences at protests and relayed through media to…
How do we create intimacy in an audio story?
How do we create intimacy in an audio story that is plausible, genuine and keeps the listener engaged? We speak…
Exit interview: Sam Strong, Queensland Theatre
As he leaves his role as AD of Queensland Theatre, Strong reflects on his triumphs and regrets after four years…