Career Advice
Don't work with arseholes: why talent shouldn't trump all
Are you guilty of hiring or working with talent who always brings trouble? Verity Johnson breaks down a question every…
How to prioritise a busy creative schedule
Jump in puddles, find efficiency, and address unrealistic timeframes. This is how artists and creatives get things done.
10 things to consider before moving into artist management
If you’re a talented problem solver, passionate about the music industry and keen to help artists go far, then a…
The challenge of unlearning (from the archives)
New students at our elite training institutions often have to undo the damage of bad amateur training before they can…
So you want my arts job: Producer, Perth Festival
If you're organised, a good listener, good humoured and comfortable sitting with fear, being a producer might be the job…
On the Move: Latest sector appointments and departures
New interim directors for Montsalvat, a new CEO for No Strings Attached Theatre of Disability, board for new Arts Capital…
20x20: Why you need courage – not talent – as a creative
As 2020 closes, we look back at this article by Madeleine Dore who argues that courage more than confidence is…
Exit Interview: Zara Stanhope, QAGOMA Curatorial Manager, Asian and Pacific Art
Serving artists and creating a safe and welcome space for creatives of all backgrounds to work were Zara Stanhope's greatest…
20x20: Get em young and reap the long-term outcomes
Research has shown that over 60% of recent arts visitors first attended cultural organisations as children. We revisit this topic…
20x20: Bullying in the arts is a real problem
For ArtsHub's 20th anniversary, we look back and ask: are the arts facing the same degree of bullying, or have…