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Showing all news in Reviews
A fabulous family-friendly cornucopia of music, mime, and special effects.
Stage adaptation of the classic novel resonates in today’s world with its focus on love, freedom, and social conditioning.
Tim Ross and Kit Warhurst’s live show is a comic Grand Designs with music and a healthy dash of nostalgia.
ACMI’s popular interactive exhibition comes to Canberra, showcasing the diversity and creativity of games.
With Joel Edgerton, Ben Mendelsohn and Timothy Chalamet, David Michôd's loose version of Shakespeare's Henriad should be more epic or more fun.
An absurdist piece of metatheatre that touches on relationships, identity, performativity, and the games that people play.
Reed-Gilbert’s memoir is a touching if somewhat disjointed ode to the fearless woman who raised her against all odds.
Tracking the first decade of the White Rabbit Gallery, THEN is an exhibition that reveals lessons in time.
Keziah Warner’s play shows that the stage, in its analogue austerity, has something to add to sci-fi.
Maria MacDermott’s work plays with interactions between human forms and other organic matter, while another exhibition has four ceramicists exploring the colour blue.
Soaking in high production values, pop culture winks and easy nihilism, Joker is all tricks and no fun.
A little touch of New York City, right here in the little smoke.
The Wake in Fright-lite struggles to balance the demands of a genre film with character-driven drama.
Krien’s debut novel explores trauma, reparations, and atonement, in all its psychological and political dimensions.
Daryl Somers, Jason Bensen and cast show that The Producers is a story meant for the stage.
Heide brings together 12 ceramic artists and an architectural group to ponder the notion of the vessel.
A smutty and delightful performance that makes other cabarets look tame.
Comedy and drama are skilfully fused with a sense of desperation in this UK/Australian ABC series.
AGWA’s latest exhibition inspires newfound appreciation for the gallery’s architecture.
This year’s Primavera is a real shake-up, and wake-up, in the hands of Archibald-winning artist Mitch Cairns as curator.
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