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Museum of Applied Arts and Sciences (MAAS)
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Showing all news in Reviews
Kirsten Hannah’s story-telling is compelling.
An unlikely hero, Shrek is a solitary ogre abandoned by his parents when he was seven but, underneath the gruff exterior, there beats a heart of gold.
At a time when many of our art schools nationally face perilous cuts and closures, this exhibition curated by Daniel Mudie Cunningham couldn’t be more timely.
Sharp and sweet, the new Stan series from Kelsey Munro and Claudia Karvan is a quirky teen pregnancy drama in the style of Love My Way and Heartbreak High, writes Mel Campbell.
'Even so quickly may one catch the plague?' Love is a virus in this independent production of Shakespeare’s Twelfth Night, in which roles are assigned based on the toss of a coin.
Edited by Cameron Muir, Kirsten Wehner and Jenny Newell, these excellent essays speak more of loss than of hope.
This production of Midsummer is a playful and lighthearted jaunt in Melbourne’s Royal Botanic Gardens that offers an enjoyable night for all of the family.
A family friendly vibe, Galea leads the way as our charming host of Best Trick Ever presented at the Sydney Opera House.
Comedian, actor, writer and director Sam Longley beautifully brings to life the 'revised' version of Jack and the Beanstalk.
In times like these we are privileged to be presented with a magnificent triple bill full of splendid playing.
In honour of our incredible community of reviews contributors, we give you the year that was, through their lens.
Elnaz Sheshgelani recreates an Iranian performance tradition that transports and delights.
At the heart of Hughes' work there is a calm, a still point, drawing the viewer into a quiet space on which to mediate.
A specifically digital release, Ensemble Offspring's Lone Hemispheres showcases challenging contemporary works.
This book abounds with fascinating anecdotes about the lives of Kimberley artists.
Fans of Jane Harper's blockbuster crime novel won't be disappointed by this faithful big-screen adaptation, but reviewer Mel Campbell wishes it went further.
Making art in the pandemic directly affects the work itself. This exhibition is both history and direct reflection of lived experience, cleverly displayed to reflect the impact on galleries as well.
Highlighting the cultural diversity of Australia’s gold rush years, this is also a well-crafted and highly entertaining genre film.
Tackling every absurdity 2020 has thrown our way from Trump madness to toilet paper bought in a panic, satirical media forces, Chaser Digital and The Shovel, came together for two livestream shows.
Stan's special feature about a crim on the run in a Santa suit fills a family-sized gap with rough and dusty charm.
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