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Showing all news in Reviews
Stan is drip-feeding episodes of this addictive lit-world rom-com, and that's Mel Campbell's only quibble.
This thinly disguised art biopic works directly against the complex ideas of its subject, says Adrian Martin.
A rock solid concept, great production design and expressive performances make this Australian Netflix film well worth your time.
Strong performances can't quite conceal the fact that this production isn't entirely gripping.
An exhilarating, muscular performance.
Rory Godbold’s play illustrates the anguish of waiting to die.
From a Kenyan schoolyard, to making art on Berlin's streets, to Newcastle's sea pools, this exhibition reminds us that everything is a two-way street, and memory is strident but malleable.
A lightness of touch from Between The Buildings does great justice to playwright John Cariani’s vision.
Swiss dancer Nicole Morel delivers tactile engagement with Andrew Hustwaite’s installation.
A sensitive and erudite two-person exhibition that digs deep into history, and yet finds contemporary currency through the medium of paper.
Pinchgut Opera once again delivers a triumph in a minimal production of a rarely performed opera.
An amusing family drama by Andrew Bovell that shows the cracks in picture-perfect Australian suburbia.
The visceral harmonies of jazz and drone metal come together in true fusion.
The double bill dovetails nicely in a delightful evocation of the heyday of the radio play.
The Irresistible is a stylish sci-fi thriller that has you on the edge of your seat.
The Museum of Old and New Art’s new $27 million extension features artworks by Alfredo Jaar, Ai Weiwei and others, while elsewhere, Simon Denny plays games with data mining.
It’s easy to let the trajectory of the aural-optical assault wash over you, but blink and you’ll miss it all.
Featuring works by a range of artists, A Forest is like a giant crumbling 21st century haunted house for adults.
Hemsworth and Thompson are a good double act but not enough to save this sci fi comedy reboot.
Artist and curator Gary Carsley presents a political and aesthetic mash up of two of the great historical moments, but is it too much of a stretch?
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