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A kitchen scene. Two women are on the left at a table, one seated, another perched on the table. A man is on the right, riding a tiny child's tricycle. The Children.
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Theatre review: The Children, Heath Ledger Theatre, WA

Environmental disaster and the rocky affairs of the heart are braided in this production.

Exhibitions

ECU Galleries

Digital Responses

‘Digital Responses’ curated by Dr. Alix BEATTIE & Associate Professor Lyndall ADAMS

pvi Director Kelli McCluskey outside the BHP offices in Perth, standing in front of a giant poster that looks like an invoice from pvi to BHP.
Features

pvi collective delivers carbon invoices to fossil fuel companies

A collective at the apex of interventionist art used the language of economics to open dialogue with fossil fuel companies……

Graphic Design, Design

Diploma of Graphic Design

Study Mode:

 In Class

Visual Arts

Certificate III in Apparel, Fashion and Textiles

Study Mode:

 In Class

Make your own resin lazy susan at 2024 Margaret River Region Open Studios. Photo of a person holding a resin circular board resembling ocean waves.
News

Everything from resin lazy Susans to clay pinch pots at Margaret River Region Open Studios 2024

Margaret River Region Open Studios allows visitors to see art, buy art, make art and meet over 100 artists.

Performances & Gigs

Yirra Yaakin Aboriginal Corporation

Operation Boomerang

Boomerangs always return home...

Visual Arts

Master of Curatorial Studies in Fine Arts (Research)

Study Mode:

 In Class

Skills: 

Gallery, Curating

new theatre audiences: a scene of actors amongst pizza boxes and stuffed animals.
Features

Tapping in to gaming subcultures to build new theatre audiences

What happens when a game-obsessed playwright meets two puppet artists who want to make a new theatre work? The answer…

Two performers, one is a female opera singer with bright orange hair, and the other is a female acrobat hanging from silks, on a darkened stage. cross art form.
Features

Lessons in cross art form collaboration for audience growth

Three directors share their secrets on how to minimise the risks and maximise the gains in cross art form collaborations.

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