National
Saxism or Sexism? Gender diversity in the classical saxophone community
The classical music sector has long been dominated by men, a situation only amplified for classical saxophonists. The sexism in…
Australian poetry month to honour our best
To be held in August every year, a new month-long national celebration of Australian poets has been created by Red…
New theatrical collaboration offers bespoke digital experiences for kids
A new collaboration between Windmill Theatre Co and the innovators behind a purpose-build app has resulted in an immersive theatrical…
The year that was: COVID and the arts a year on from lockdown
From digital pivots, to government funding (or lack there of), to conversations and resilience – we take a look at…
NFT art: the bizarre world where burning a Banksy can make it more valuable
Unsure how burning a Banksy original could make it more valuable? Welcome to the world of non-fungible token art.
Book Review: Pushing Back by John Kinsella
Kinsella takes his readers off the edge of the map.
Ask the Mentor: I've forgotten how to network in real life
Online conferences were great for shy people, but now in-person events are back. Brush up on your social skills and…
A place for ‘wondrous things’: new arts precinct Collingwood Yards opens to the public
Melbourne’s newest cultural precinct, Collingwood Yards, has opened to the public after a long gestation.
Why CEOs need to improvise in the boardroom
Boardroom etiquette is typically formal. Is that a good thing? A panel of improv-theatre makers and CEOs suggest otherwise, in…
Art is never finished, only abandoned
Can we ever call a work finished? Leonardo Da Vinci said no; rather, we just abandon. We speak with artists…