Search News

See all news

Melbourne

A scene from A Daylight Connection's 'A Nightime Travesty' at Malthouse Theatre for Asia TOPA 2025. Two Aboriginal women dressed as airline stewardesses stand on a blue-lit set as bloody rags fall from above. Behind them at stage right stands a sexy, shirtless, Aboriginal actor playing Death; at stage left, two musicians are visible.
StarsStarsStarsStarsStars

Theatre review: A Nightime Travesty, Malthouse Theatre, Asia TOPA 2025

A ferociously funny, controlled yet chaotic Blak vaudevillian comedy that pulls no punches and decapitates its prisoners.

Two women and five men inside a house. You can see a darkened sky outside.
StarsStarsStarsStarsStars

Theatre review: And Then There Were None, Comedy Theatre

The best selling crime novel of all time receives another stage adaptation.

LON Gallery Booth C2 with a duo presentation of Jeremy Eaton and Stephen Benwell, installation view, Melbourne Art Fair 2025. A white walled space inside a grey convention centre. On the walls are canvases of soft yellow, green, orange and purple hues, while small earthenware sculptures are lined up on a plinth in the centre of the space.
News

Best of Melbourne Art Fair 2025

ArtsHub's annual round-up on what to see at Melbourne Art Fair.

An African Australian woman with long dark haired tied back, a Caucasian woman with a messy blonde bun, an Indian man with a black bun and a Caucasian man with short blond hair sit around a pit with sand in it drinking espresso martinis on stage set decorated like a Turkish restaurant. Never Have I Ever, Melbourne Theatre Company.
StarsStarsStarsStarsStars

Theatre review: Never Have I Ever, Fairfax Studio

Both witty and wily, Deborah Frances-White's play makes for a very entertaining night in the theatre.

Maroon-coloured seating and curtains resembling those of a theatre.
StarsStarsStarsStarsStars

Immersive review: Invisible: Darkfield, Adelaide Fringe

From out of the darkness, a voice beckons you to embrace the chaos.

Two figures in shadowed darkness in the middle of the stage holding onto each other. Heavy drapery surround them with red tones.
StarsStarsStarsStarsStars

Theatre review: Our Monster’s Name is Jerry, Theatre Works

Gothic tropes are explored, but without the promised scares.

Ryuichi Sakamoto in mixed-reality, ‘KAGAMI’. A virtual image of Sakamoto playing a black grand piano in a limbo or dark virtual space.
StarsStarsStarsStarsStars

Mixed-reality concert review: KAGAMI, Asia TOPA 2025

In this one-on-one encounter with Ryuichi Sakamoto, ‘KAGAMI’ is a tender, yet ambitious, ode to life and death.

Features

Asia TOPA 2025: revitalising the spirit of the Asia-Pacific in Melbourne

Back after a break, Asia TOPA offers a place 'where ideas are born and traditions reimagined'.

Five people wearing suits stand across a dark stage, with the large word SILENCE above their heads. Truth at Malthouse.
StarsStarsStarsStarsStars

Theatre review: Truth, Merlyn Theatre, Malthouse

Patricia Cornelius' latest play tells the story of the WikiLeaks founder who 'wanted to change the world'.

'Swingers – The Art of Mini Golf' has been announced as the first event for RISING 2025. The photo is a close-up of someone wearing glamorous high heeled shoes, standing on a fake putting green. Their right foot rests on a golf ball and they are leaning on a mini golf club. The dramatic space of the Flinders Street Station Ballroom is visible in the background.
News

Swingers have their moment to shine at RISING 2025

The first event for Melbourne’s winter festival RISING has been announced: a playable art exhibition celebrating the game of mini…

1 25 26 27 28 29 286