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Made in isolation, student resilience shines in online showcase

A dazzling array of new works made by graduating students at the University of Melbourne’s Faculty of Fine Arts and…

News

Introducing Amrit Gill, incoming CEO of 4A Gallery

Coming from the Australia Council, where she was Director, International Development, Gill has plenty to offer 4A when it comes…

Career Advice

10 things to consider before moving into artist management

If you’re a talented problem solver, passionate about the music industry and keen to help artists go far, then a…

News

Opportunities and Awards Wrap

Public art project in Cairns seeks artist concepts, SWELL 2021 open for submissions, Pacesetters Creative Archives calls for artists and…

News

How the arts fared in this year's Australia Day Honours

The arts did better this year with Australia Day Honours, pipping the number administered for service to sports. We take…

Features

Why weren’t there any great women artists? In gratitude to Linda Nochlin

Linda Nochlin’s 1971 essay was a scathing and detailed analysis of how and why white bourgeois men were 'great' while…

News

On the Move: Latest sector appointments and departures

General Manager appointed at Contemporary Asian Australian Performance, ActNow Theatre announces Artistic Director, and more.

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Book Review: Road Rage by Fred Guilhaus

Road Rage – the stories of five cyclists and the person who mowed them down.

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Music Review: Cycles, Sydney Chamber Choir (Sydney Festival)

Seasons, stars and the scent of eucalyptus trees.

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Music Review: The Masque of the Red Death (MONA FOMA)

When gothic horror meets gothic humour, it’s gotta be MONA FOMA.

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