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Cha-ching – art market matters

From David Walsh taking a gamble to a secondary market that charges no commission, we take a look at movements…

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Dead Centre/Sea Wall

The final image in Dead Centre/Sea Wall imparts a sense of loss that lingers long after you’ve left your seat.

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Small scale philanthropists make a big difference

As funding cuts threaten independent artists and small to medium organisations, arts patrons are turning into small scale philanthropists to…

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Writers and publishers are all at sea under Brandis and the NPEA

Making a splash in letters may be harder under changes to Australian arts funding.

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Distillation: The art of Brett McMahon

An exhibition charting Brett McMahon's practice as it has developed over the last 15 years.

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Unplugged Live - Alex Gow & Anne-Marie May

A perfect Sunday afternoon's entertainment.

Features

CSI art: forensics enters the gallery

Fascination with forensics is spawning a genre of death art, confronting mortality including some of the most gruesome aspects of…

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On the Move: latest appointments and resignations

Newly created positions open up opportunities for movement this week.

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Malthouse Theatre casts a long Shadow

The company’s Indigenous retelling of King Lear will tour to London thanks to $50,000 from the Victorian Government.

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War Crimes

Set in an Australian backwater country town, War Crimes is a scintillating portrait of Australian culture which takes no prisoners

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