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How verbatim theatre can keep history alive

In retelling the long and often bitter campaign for gay law reform in Tasmania, the new production ‘The Campaign’ not…

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Review: Giving up the Ghost, Limelight on Oxford

Grief takes a lot of forms – rarely is it so animated.

Career Advice

Why we need strong women to lead risk-taking in the arts

It's easy to talk about breaking glass ceilings and taking risks, but the National Gallery's Assistant Director Alison Wright shows…

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Review: The Tap Pack, Sydney Opera House

This show is so full of turbo-charged energy you will be left gasping.

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How to make the right creative choices

From trusting your instincts to remaining flexible — here’s advice on making good creative choices and bouncing back from mistakes

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Review: A Ghost in my Suitcase, MIAF

Based on the book (and illustrated novel) by Gabrielle Wang of the same name, this is a sophisticated and poetic…

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Review: Degenerate Art, Old Fitz Theatre

Degenerate Art rings with Weimar decadence in the direct confrontation of audience, the complexity of movement and the expression of…

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Review: Our Life in the Forest by Marie Darrieussecq

A Dark dystopian tale of a cloned population is a warning for us all.

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Review: Beyond Bling, Art Gallery of Western Australia

A new exhibition at the Art Gallery of WA asks the question: What does your jewellery say about you?

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Review: Circus Oz Sidesault

During the second week of Circus Oz's festival of experimental circus Sidesault, we were treated to three consecutive, short shows:…

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