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Review: The Climbing Tree, Bathurst Memorial Entertainment Centre

A touching and poignant drama about Bathurst as both a material and imaginative sphere. It is a complex and profound…

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Review: Freud’s Last Session, Seymour Centre

There is some truly marvellous acting in this detailed and precise production.

Opinions & Analysis

How stage and screen professionals can help reduce suicides in Australia

Evidence suggests that the dramatic portrayal of suicide can impact on vulnerable audiences, including contributing to increases in copy-cat incidents…

Features

Nginha ngurambang marunbunmilgirridyu: I love this country – but do you?

Jonathan Jones’ Artstate keynote talk offered fresh pathways forward in our complex colonial conversation.

News

Critics savage King Kong on Broadway

The massive star of the show, a 2000 pound and 20 foot high puppet, gets rave reviews, the songs and…

Career Advice

What it really takes to juggle an arts organisation with family life

The director of Wellington's LitCrawl, Claire Mabey, reflects on what a family-friendly arts organisation might look like.

News

ICYMI: This week’s arts news round-up

Fraudulent art dealings; first convention centre to lead arts with a Reconciliation Action Plan; art conquers Bathurst car culture and…

Features

The turgid trajectory of sculpture in education

An international panel at the Sydney Sculpture Symposium asked whether our education system is failing sculpture.

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How a supportive environment encourages students to learn and grow

Applications are now open for the 2019 intake at Melbourne’s prestigious National Theatre Drama School.

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Review: A Good Bloke and other events at Artstate Bathurst

Artstate Bathurst highlights included a rehearsed reading of an in-development script and a concert by the NSW Regional Youth Orchestra.

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