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Performing Arts

Opinions & Analysis

The numbers don't add up: a response to the MPA Framework

Instead of taking the opportunity to make our funding frameworks fit-for-purpose, we're being asked to finesse an inherently flawed system…

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Review: MSO – Beethoven 5, Hamer Hall

A famous performance of classical music’s most famous composition.

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Review: The Overcoat, Downstairs Theatre

Aspirations, egos, classes and tones all clash in The Overcoat – a title as innocuous as it is tragic.

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On the Move: latest appointments and resignations

Yirra Yaakin's Artistic Director steps down, MELT: Festival of Queer Arts and Culture appoints Guest Director, and more.

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More international tourists flock to art than wineries, casinos or sport

International arts tourism has grown at a higher rate than overall international tourism over the last five years, according to…

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Review: The Wharf Revue 2018: Déjà Revue, Sydney Theatre Company

The familiar awfulness of Australian politics is clearly a curse but the familiarity of the revue itself is a mixed…

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Review: Twelfth Night, Southbank Theatre

MTC’s take on Shakespeare’s tale of desire, love and disguise has a stellar cast but is worth going to for…

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Review: Broadway Bound, New Theatre

Laughter and intensity are blended in the third part of Neil Simon's trilogy.

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Review: Patina, OzAsia Festival

Adelaide audiences experience a musical evening in Indonesia with this world premiere performance.

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Review: The Gods of Strangers, Dunstan Playhouse

Stuffed full of alternative Australian voices ready to challenge a mostly Anglo Saxon theatrical tradition – The God of Strangers…

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