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Theatre review: Harry Potter and the Cursed Child Parts 1 and 2

After 49 weeks, The Boy Who Lived returns to the Melbourne stage – the first international production of the sequel…

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Theatre Review: The Cherry Orchard (Perth Festival)

The BBQ is lit, the vodka is poured... it's time to party like it's 1988… or is it?

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$500,000 grant round open for Indigenous Contemporary Music Program

Applications are now open for a $500,000 grant round as part of the Indigenous Contemporary Music Program aimed to support…

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How the New Normal needs to become the Future Normal

While COVID brought us new conversations around digital pivots and hybrid working models, the real future normal is how to…

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Theatre Review: Whistleblower, The Last Great Hunt (Perth Festival)

Fast-paced, high-stakes interactive improvisation, featuring audience volunteers, as slickly delivered live-stream directed work.

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The magic is back: Harry Potter and the Cursed Child returns to the stage

Actors discover muscle memory propelling them across the stage after 49 weeks off, and also discuss the impact of J.K.…

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ICYMI: The week's top news in the arts

Sculpture by Sea needs help, life drawing on opera stage, WA's Fringe World outcome, QSO goes bush to perform, La…

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Theatre Review: The Sum of Us (Perth Festival)

Yirra Yaakin’s The Sum of Us is a tale of a strong family bond, ageing, queerness and the dance we…

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Opera Review: Bluebeard’s Castle, Opera Australia

This is a power-packed psychological opera squeezed into just 60-minutes, and manages to strike a contemporary #MeToo chord and questions…

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Opportunities and Awards Wrap

Queensland Music Awards announces new Innovation Award, NSW Musical Theatre Fellowship seeks applicants, Photo 2021 Perimeter prizewinner announced, and more.

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