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Review: Hair, His Majesty’s Theatre (WA/national)
This revival of the classic 1960s musical absolutely lets the sunshine in.
Review: Sunday in the Park with George, Southbank Theatre (VIC)
A gorgeous production from Watch This with a cracking cast, beautiful costumes and a sublime performance of the score.
Finding new audiences starts with centring the margins
Revolutionary change was the theme of Bryan Joseph Lee’s keynote at Performing Arts Connections Australia’s conference this week.
Arts criticism of disabled artists needs to get smarter
Artists with disability believe it is their right to be reviewed in the same way as abled artists; that the…
Kate Mulvany scoops the AWGIES
The Sydney Theatre Company’s The Harp in the South sweeps up the big prizes in the Australian Writers Guild awards.
A festival that says there's more to love
This year's Melbourne Writers Festival is all loved up so we picked nine events that reveal the heart's diversity with…
Theatre that fights our inertia on the climate crisis
In their new immersive eco-horror, Sarah Aiken and Rebecca Jensen of Deep Soulful Sweats craft a dark, hopeful and irreverent…
Review: The Tempest, Trinity Parish Hall (QLD)
Zen Zen Zo’s physical theatre interpretation of Shakespeare is compelling and immersive.
First woman chair for West Australian Ballet
Woodside executive Sherry Duhe takes over to lead WA Ballet’s Board.
Review: Endgame, Civic Theatre Newcastle (NSW)
The Very Popular Theatre company’s production of Beckett’s play is spirited and faithful.