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Set to repel audiences, Australia goes bold for Venice

No tote bags, no vernissage elitism, and no hero antics - Australia's representation at Venice breaks with the old guard…

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Gallery carving space for Australia’s diverse young writers

The National Gallery of Australia’s digital mentorship program is helmed by those wanting to change the landscape for underrepresented arts…

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Significant museum acquisitions that shapeshift history

Both the National Gallery of Victoria and National Museum of Australia announced significant acquisitions. But why are they important?

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Is Sidney Nolan still relevant?

Through a wave of refocused attention on the Australian modernist icon, there is much to be said on Nolan’s legacy…

a group of people standing beside a bright art installation
Features

What makes an arts precinct?

Art precincts can drive social and economic value, but what defines them in the first place?

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The arts news you may have missed

What's on, what's in the headlines, and the latest program releases – to put you ahead of the game this…

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Sculpture biennale explores place across time

What will a sculpture biennale look like if it’s more engaged, critical and reflective? The 2022 Lorne Sculpture Biennale takes…

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Dance review: Make Your Life Count, Arts House

A beguiling blend of dance and video that explores the vagaries of contemporary life.

Antony Tulloch, a man in a patterned shirt with crossed arms
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New CEO for Docklands Studios Melbourne

Stepping into the top job after several years in Malaysia, Antony Tulloch is 'delighted' to be returning to Melbourne.

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Circus review: Common Dissonance, Adelaide Fringe

Physical talent reconciled with traditional and modern knowledge.

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