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Can copyright protect immersive art?
Japanese immersive powerhouse teamLab is no stranger to copyright disputes but the booming art form is still a difficult subject…
Why opera companies should explain themselves better
Peter Tregear argues more needs to be done to help opera audiences contextualise the art form beyond the vocal spectacular.
Theatre review: Harry Potter and the Cursed Child
Condensing the theatrical epic from two parts to one results in a sometimes breathless production, but one in which emotion…
Fair brings 100 artists on site (to chat)
The Other Art Fair is an energetic setting in which to meet artists and support their practices. Where else will…
Landmark bequest announces inaugural acquisitions
Works by Olafur Eliasson, Tacita Dean and Fiona Hall will enter QAGOMA’s collection thanks to The Josephine Ulrick and Win…
The arts news you may have missed
What's on, what's in the headlines, and the latest program releases – to put you ahead of the game this…
Wurundjeri works to return to Country
Last-minute government aid and a thousand-person crowdfunding campaign has brought two works by respected Wurundjeri artist back across the ocean.
Theatre review: Fast Food
Flipping to reveal the underside of the gig economy.
Theatre review: Hercules
A modern lens dismantling of the myth-making behind the heroic figure of Hercules.
Concert review: The Avalanches
An acclaimed album performed live as part of Illuminate Adelaide.