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Review: i have loved the stars too fondly to be fearful of the night, PICA (WA)
The air ‘out there’ is brought into close proximity through this unique, all-consuming experience.
Thinking outside the box office when collaborating regionally
Touring a show, exhibition or event to a regional community can be a rich experience for both the artists and…
Applause: Latest funding and awards announced
Helpmann Awards nominations, Adelaide Fringe releases record breaking figures, winners of TAFE NSW Art Prize announced, and more.
"We wouldn't exist without the indie and small to medium sector"
Arts Centre Melbourne’s sector development program has started. Here’s what you need to know.
Review: Demetri Martin, Arts Centre Melbourne
The Wandering Mind tour shows that the award-winning comic is a consummate laugh-maker.
Curious oversights and great triumphs in 2019 Helpmann Awards nominations
The Belvoir/Co-Curious production Counting & Cracking, an epic story of people, politics and migration, is competing with Harry Potter and…
Review: Beethoven: The Piano Concertos - Concert One, Adelaide Symphony Orchestra
Guest soloist Jayson Gillham shines in Beethoven’s First Concerto.
Review: Beethoven: The Piano Concertos - Concert Two, Adelaide Symphony Orchestra
The surprisingly modern Fourth is considered by many pianists to be the most beautiful piano concerto ever written.
Review: Dance Nexus, DRILL (TAS)
Involving five schools from southern Tasmania, DRILL’s school’s program explores science through dance.
Ground rules for good governance
Because it can be a tricky thing, Kate Frykberg outlines her ground rules for boards working together in order to…