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Two panels. On the left is a young woman with light brown hair smiling. On the right is the cover of a book, 'Of Monsters and Mainframes", which shows a colourful illustration of a spaceship, plumes of smoke and a large open mouth with fangs.
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Book review: Of Monsters and Mainframes, Barbara Truelove

A brilliantly queer and imaginative blending of sci-fi and fantastical monsters.

Large stage scene of 'Samson & Delilah'. In the centre are figures wearing gold costumes. They are surrounded by cast in black.
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Opera review: Samson & Delilah, Palais Theatre

Engaging musical performance meets middling narrative delivery in this traditional interpretation of an ancient story.

A white shoe with some light feathery leaves embellishments.
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Exhibition review: Elizabeth Colbert, Objective Abstraction group exhibition, Tacit Gallery

Tacit’s final exhibition is brilliant yet bittersweet.

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Music review: Beth Gibbons, RISING, Hamer Hall

The celestial vocal stylings of Portishead's lead singer shone in a concert drawn from her first solo album.

A group of ballerinas with their arms in the air resembling swan necks.
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Dance review: Ballet Preljocaj: Swan Lake, Lyric Theatre, QPAC

Ballet Preljocaj’s 'Swan Lake' offers a radical reimagining of Tchaikovsky’s masterpiece in a finely crafted, beautifully delivered production.    

A painting of a man's face. He is bare-chested and has a beard.
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Thinking about entering an art prize? Just go for it!

The Hornsby Art Prize competition is open now for artists working in painting, drawing, printmaking, photography and sculpture.

A photo of an old-school box television displaying noise. There are two pot plants on both sides of the tv, and the domestic scene is covered in a red tone.
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Arts news watch: this week’s trending topics

We report it – you read it. This week: Queensland literary judges resign, David Attenborough at 99, ‘Vandemonian Lags’ reviewed…

A fair-skinned woman with wavy blonde hair bites one nail as she contemplates a budding tree branch. The scene is lit with a soft, warm light. A scene from the play 'Ripening' by Citizen Theatre.
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Theatre review: Ripening, Gasworks Arts Park

A heartfelt look at the intense experience of navigating pregnancy and childbirth in today’s Western medical system.

Two female road workers dressed in white helmets and orange hi-vis jackets sit in folding chairs. They nurse cups of tea and a Stop sign is drapped across their laps. A traffic cone is visible behind them.
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Theatre review: How To Hold A Sign, The Butterfly Club

An insightful and accessible exploration of the challenges faced by women working in the construction industry.

A colourful cubist artwork of the same woman seen from multiple perspectives, painted in shades of white, yellow, orange and blue. The painting is framed by the blurred bodies of two men who are looking at the artwork: the photo is taken over their shoulders. The painting is part of the exhibition 'Cézanne to Giacometti:' at the National Gallery of Australia.
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Exhibition review: Cézanne to Giacometti, National Gallery of Australia

A highly contextualised, thoughtful, and conversational exhibition which maps out a decades-long conversation of modern ways of seeing.

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