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Australian designers give heart to Powerhouse Parramatta
More than 50 Australian designers have been commissioned to fit out the new Powerhouse Parramatta, thanks to a $2.5 million…
The threat and promise of AI: an extract from Anna Goldsworthy’s Quarterly Essay
In this extract from her essay for Quarterly Essay, writer, pianist and artistic director Anna Goldsworthy muses on what it…
Cost a growing factor preventing arts participation, Creative Australia’s national survey reveals
Creative Australia’s sixth National Arts Participation Survey reveals that 98% of Australians engage with the arts in some way and…
Photographer Damien Frost headlines 2026 New Annual festival
There will be some Australian faces in Damien Frost's upcoming exhibition at New Annual in Newcastle.
Douglas Stuart reveals flashes of tenderness in his violent working‑class men
In John of John, Booker Prize-winner Douglas Stuart has returned to his territory and deepened it.
Profits or losses for contemporary dance companies: who’s in best and worst shape?
In lean times for the sector, contemporary dance companies are maintaining stability while some are securing partnerships to extend their…
Creative Australia's Asia Pacific Arts Awards: nominate someone today!
Do you know someone making a difference through their art? Get them in the running for the Asia Pacific Arts…
Back to Back Theatre recognised as ‘a singular artistic voice’ on the world stage
The Geelong-based company Back to Back Theatre will present a body of work at the 2026 Festival d'Automne à Paris.
A Large Attendance In The Antechamber review: Brian Lipson makes a timely return for Rising
Twenty-six years after its debut, Brian Lipson’s acclaimed A Large Attendance In The Antechamber is back in Melbourne for Rising.
Wages for artists: 3 artists appointed to shape The Unconformity 2027
The Unconformity's inaugural Ongoing Artists program has appointed three working artists.