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The Drover's Wife review: Leah Purcell debuts her powerful new Australian opera
It's been a long wait, but Leah Purcell has finally brought her musical adaption of Henry Lawson’s famous short story…
Federal Budget 2026-27: Opposition, Greens and A New Approach assess arts funding
The Shadow Arts Minister, the Greens and arts think tank A New Approach add their responses to the 2026-27 Federal…
Adelaide’s Tarnanthi is going on tour
Last year Tarnanthi marked its 10th anniversary with a survey exhibition. Now, the Adelaide festival of Aboriginal and Torres Strait…
Best opportunities, grants & awards for creatives this week
Opportunities for 18 to 24 May include valuable visual arts and writing prizes.
The Shepherd’s Hut review: Tim Winton adaptation burns bright
Black Swan's stirring adaptation of The Shepherd's Hut is proof of the strength of Western Australian storytelling.
The Importance of Being Earnest review: a complete joy
Oscar Wilde’s battle of the sexes becomes a dazzlingly funny free-for-all in this gloriously gender-bent production.
We need a National Cultural Policy that backs working writers
The public consultation for the next national cultural policy is drawing to a close. Author Jennifer Mills shares her own…
Cannon by Lee Lai lingers as a quiet and powerful work
Cannon, winner of the 2026 Stella Prize, is a reminder that exhaustion, obligation and the search for connection rarely fade…
Federal Budget 2026-27: the arts sector responds
No shocks but few real surprises for the arts in the Albanese Government’s 2026-27 Federal Budget.
Is home a birthright in Australia’s housing crisis? Hahaha – you wish!
Zoe Pepper pits millennials against boomers in a battle for the soul of the nation in her new film Birthright.