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Cannon by Lee Lai lingers as a quiet and powerful work
Cannon is a reminder that exhaustion, obligation and the search for connection rarely fade neatly with time.
DIY magic and fan funding: The Witchy Girls conjures a new model for making Aussie TV
After funding rejections, RuPaul's Drag Race champ Lazy Susan and her sister Zelda Moon are turning to live audiences to…
West Gate review: a flawed but powerful play about the loss of 35 lives
The collapse of Melbourne's West Gate Bridge is dramatised in this new MTC production by playwright Dennis McIntosh and director…
Timothée Chalamet’s words on Gen Z audiences say far more than his views on opera and ballet
Social media turned on the actor after his remarks that ‘no one cares’ about opera and ballet, but the debate…
Biennale of Sydney review: Western Sydney shines in this international showcase
In our second review, ArtsHub looks at the Biennale of Sydney's Western Sydney venues.
On the move: latest arts sector appointments
In this week's Australian arts sector news, the Black Swan State Theatre Company begins the search for a new Artistic…
Gatz review: it’s The Great Gatsby (Jim) but not as we know it
Gatz, the acclaimed adaptation of F Scott Fitzgerald’s The Great Gatsby, returned to Australia for the Adelaide Festival.
Theatre of Dreams review: dance that channels such stuff as dreams are made on
Theatre of Dreams explored what happens when we close our eyes and drift away.
Sky, Earth, Water review: a powerful exhibition about the elements that centres Rosalie Gascoigne
Alongside three First Nations artists, Bundanon explores artist Rosalie Gascoigne’s material connection with landscape.
Makers are not factories, so stop treating us like one
In the rush to scale up, many makers lose sight of the value of slow making.