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New Adelaide Festival Board apologises to Randa Abdel-Fattah and former Writers' Week Director Louise Adler
48 hours after its appointment, the new Adelaide Festival Board has apologised 'unreservedly' and recinded the old Board's actions.
The Importance of Being Miserable review: a bracing antidote to happiness culture
Equal parts cultural history and philosophical takedown, The Importance of Being Miserable finds humour, clarity and unexpected hope in life’s…
From stage to screen: four Australian creatives discuss sideways career shifts
Leticia Cáceres, Elizabeth Coleman, Priscilla Jackman and Jean Tong describe how they adapted skills honed in the theatre into film…
Shortlist announced for Indie Book Awards 2026
The nation's indie booksellers have spoken, so which authors are up to win Book of the Year?
Hamlet Camp review: 'To be, or not to be' as an occupational hazard
Quick, funny, and uncomfortably human, Hamlet Camp drags you into a world where art won’t let go, and neither will…
SXSW Sydney quietly cancels 2026 festival and all future events
After three years, SXSW Sydney is calling it quits.
Observer, Observed review: public art about public surveillance for Sydney Festival
Julia Phillips’ art installation on Pyrmont Bridge encourages us to reflect on our willingness to participate in the surveillance state.
Post-Orientalist Express review: spectacle, parody, and the limits of post-orientalist dance in a festival economy
A fascinating but unresolved Sydney Festival production by avant-garde Korean choreographer Eun-Me Ahn.
I'm chasing Moby-Dick again – but what will I find this time round?
Herman Melville's Moby-Dick is a beastly delight offering endless entertainment – and that's no fluke.
Adelaide Writers' Week cancelled, remaining Board members step down
A safe and successful Adelaide Festival is now the focus, as the arts sector and festival goers wait for the…