The Amplify Collective
The Barossa is more than just wine
An in-depth look at two volunteer organisations in the Barossa region that are elevating their local arts community.
Full spectrum: the broad-reaching appeal of Hiromi Tango
Japanese Australian artist Hiromi Tango brings together knowledge embedded in rituals with ancient origins and scientific innovation to create sites…
Performance review: Nighttime Righttime, Carriageworks
Presented as part of Performance Space’s Liveworks Festival, ‘Nighttime Righttime’ was a syncopated medley of the wonderfully odd.
Exhibition review: Each, Other, Griffith University Art Museum (GUAM)
‘Each, Other’ offers a compelling insight into the experiences of two photographers born in the wake of China's Open Door…
CALD, CARM and collected: fostering the future artists of Australia
Leaders of Australia’s foremost arts companies run by and with culturally and linguistically diverse young people, speak about their role…
Book review: At the Foot of the Cherry Tree by Alli Parker
The moving true story of a WWII love that changed the White Australia policy.
Theatre review: The Bridal Lament, Space Theatre
Rainbow Chan's OzAsia contribution was 'an ambitious work infused with vulnerability, grief, and empowerment'.
Opera review: Sibyl, Sydney Opera House
A creative South African performance that dazzles the senses, ‘Sibyl’ marks a new era for Sydney's famed icon.
Film reviews: Flora on the Sand (1964) and Juvenile Jungle (1956), Japanese Film Festival
The feature of a retrospective at the 2023 Japanese Film Festival, Kō Nakahira was a filmmaker who interrogated themes of…
Diversity and the regional arts sector
Key administrators of arts in regional Australia speak about diversity in the regional arts sector and reflect on why we…