review
Gravity Let Me Go review: Dalton delivers undaunted
Trent Dalton's latest is an intriguing romp that evolves into a thoughtful journey of discovery.
Strange Chaos review: punk clown perfection in a secret Northcote venue
Technically flawless and wilfully anarchic, Strange Chaos captures the spirit of clowning.
Feathers review: Terrapin Puppet Theatre triumphs in Tasmania
Feathers has everything you could want for intergenerational audiences looking for meaning in relationships and hope for our futures.
Rebecca review: a dark and deathly dream at the MTC
Anne-Louise Sarks cuts a little too much meat off the bone in Rebecca, but Nikki Shiels excels as always.
Last One Out by Jane Harper review: moving and memorable
Jane Harper's Last One Out portrays a town under siege and is not to be missed.
Archie Moore: kith and kin at GOMA offers solemn testimony
With a Golden Lion from the Venice Biennale, kith and kin brings home an inalienable truth of the suffering upon…
Seed review: Bri Lee is back
Lee’s second novel, Seed, might have readers turning pages more for the fate of the planet than the fate of…
Job review: a riveting psychological thriller at Red Stitch
You can expect to be thinking about Job, by Max Wolf Friedlich, long after the curtain falls.
Troy review: a mythical marvel at the Malthouse
Straddling mythology and today’s brutal truths, the Malthouse production of Troy towers mightily.
Congratulations, Get Rich! review: ghosts, trauma, culture and karaoke
Congratulations, Get Rich! is a bold new work by Merlynn Tong exploring mother-daughter relationships, multigenerational trauma and legacy.