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‘The Hong Kong Jockey Club Series: Dwelling in Tranquility – Reinventing Traditional Gardens’, installation view at Hong Kong Palace Museum. Photo: Pak Chai. A woman sits in a spacious gallery space with a traditional Chinese architectural structure forming a shelter overhead. Windows of different patterns are illuminated on the surrounding walls.
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Dodged the travel blitz? Here are 6 places to visit in Hong Kong post-Basel

Six places to add to your travel itinerary in Hong Kong, plus a selection of local and international galleries for…

White Night returns to Ballarat. Photo: Supplied. Floral projections cast onto a building during the night, featuring vintage portraits that have flowers as eyes. A crowd gathers outside.
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Limited-time projections to cast city into the unexpected

White Night returns to Ballarat for the first time since 2019, offering a night of free activities.

L to R: Autumn Skuthorpe, Brenden Borellini and Georgia Cranko. Photo: Luke Monsour, Bulimba Studio. Three people stand on a stage behind a clear podium at the Matilda Awards. Skuthorpe has long curly brown hair, rosy cheeks, and an aqua-coloured dress. Skuthorpe is writing on the palm of Borellini, who has closely shaved hair, short grey stubble and wearing a black suit. Cranko has short curly brown hair, wearing a black vest and grey pants.
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What happens when theatre is informed by lived experience

'Breathe In' by Brenden Borellini, Georgia Cranko, Alison Richardson and Crossroad Arts is a prime example of powerful theatre informed…

Members of the cast from ‘Akaraka’ by Amarachi and produced by Empty Seat Theatre. Photo: Cameron Grant. Two people standing close to each other with their hands on the person seated in front of them, smiling. Two more people are standing at the back and off to the right hand side, their hands are held together looking slightly serious. All members of the cast have dark skin brown skin and black hair, with a red-orange background.
Features

'It's an Australian play': how a new CALD theatre company is turning the tables on diversity

‘Akaraka’ and Empty Seat Theatre are built by creatives who hope to lead change by example, one show at a…

Powerhouse Castle Hill. Image: Rory Gardiner. The front entrance to Powerhouse Castle Hill, featuring a minimalistic silver-panelled architecture and large glass doors that also reveals the second floor.
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A new storehouse for the Powerhouse Collection

Powerhouse Castle Hill will provide new levels of access to its exceptional 500,000-strong collection while Powerhouse’s $1.2 billion renewal is…

Casey O’Shaughnessy and Katie Rynne join BIGSOUND 2024 as Music Programmers. Photo: Jess Gleeson. Two Caucasian women standing inside a sound studio with vinyl covering a shelf to the right. Standing on the left is Casey with blonde plaits, a striped long-sleeve top and black paints. On the right is Katie with a coloured, heat-map like dress paired with black long sleeve underneath, she has amber hair.
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What’s new at BIGSOUND 2024

Brisbane’s annual music industry event provides vital opportunities for musicians with new Music Programmers announced.

‘Food’ at Perth Festival 2024. Photo: Maria Baranova. Audiences sit at a large table covered by a white table cloth. A glowing chandelier hangs above them, while the performer is serving audiences wine.
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Performance review: Food, Perth Festival

Interactive show where audiences are invited to have a seat at the table.

Future of Arts, Culture & Technology Symposium 2024 at ACMI, ‘Presenting the new canon in 2050’ panel. Photo: Gianna Rizzo. People sitting in a dark cinema with four people sitting on stage below a large screen showing a digital work (still). The work features a human figure moving their upper body with arms outstretched.
Features

Predictions for the arts canon in 2050

The future ultimately hinges on what gets preserved now, where tech hardware, copyright and data protection run alongside ethical considerations.

Three young circus performers wearing clean white clothing perform acts on a stack of milk crates. One is holding the crates while another is performing the human flag, and a third is climbing on top of the tower. In the background is a wall of crates in black, green, red and blue, with the back wall covered with newspapers.
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Daring and intergenerational circus acts on the festival circuit

Circus shows from performers ranging from youths to sexagenarians are heading for MICF and Adelaide.

Benjamin Millepied's 'Romeo & Juliet' with female-female, male-male, and female-male couples. Photo: Josh Rose. Two female performers balance with holding hands with each other. They appear to be on a tall platform outdoors, overlooking a city scape and blue sky.
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Rediscovering Romeo & Juliet through universal love

Benjamin Millepied and L.A. Dance Projects bring a twist to 'Romeo & Juliet', giving it cinematic elements and same-sex couples.

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