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Exterior of Rockhampton Museum of Arts, in Queensland.
Features

Queensland's newest regional gallery also its largest

Rockhampton Regional Art Museum opens in time for reignited tourism.

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A refreshed Parrtjima gets you sky gazing

Parrtjima 2022 will ground your feet in the Central Desert’s red soil while shifting your focus skywards, acting as a…

A woman sits and two men stand around a kitchen table engaged in passionate conversation.
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Theatre review: At What Cost?, Belvoir

A timeless tragedy that prompts questions about land and (Indigenous) identity.

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Opportunities and awards wrap

JamFactory FUSE Glass Prize entries open in January, 2022 Platform LAB participants announced alongside 2021 Telstra Emerging Chorographer recipient, 2022…

Two women stand in installation of bark painting at NGV Interntional, Melbourne
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Exhibition review: Bark Ladies, NGV International

The wider perception of ‘a bark show’ has been locked in the past for too long.These paintings leap out in…

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Book review: Mission, Noel Pearson

Reflections of a life-long interrogation of black and white politics.

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Vale David Dalaithngu AM

We mourn the passing of the once-in-a-generation artist whose career included such landmark films as Walkabout, The Tracker and Charlie’s…

A first nations woman wearing a black dress stands in front of a white background.
Features

First Nations curator redefines emerging

For Primavera’s 30th anniversary, Aboriginal curator of the event Hannah Presley talks about legacy and brave steps.

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Circus review: Common Dissonance

First Nations circus provides a dynamic expression of contemporary Australian society.

Features

How a festival's legacy shifts perception

With 1.4 million people having attended Tarnanthi since its inception, ArtsHub takes a look at the festival’s impact in shifting…

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