AI in the arts
How AI poetry betrays our desire for human connection
Think you can tell the difference between Emily Dickinson and AI poetry?
Hey Orwell: thousands of AI‑written, edited or ‘polished’ books are being sold
Orwell imagined 'novel-writing machines' capable of mass-producing literature – and here we are, in 2026 ...
What local game developers really think about using GenAI artworks as ‘placeholders’
As AAA studios are called out for leaving GenAI placeholder artwork in their games, local developers talk to ScreenHub about…
Dragon I review: one man and an AI assistant at Perth Festival
In Dragon I, Adam Kelly tries to deliver a comedic lecture on dragons... until AI gets in the way.
Art and AI: looking back at the major developments in 2025
ArtsHub reflects on significant turning points in the debate around art and AI in 2025.
You write like AI, people think it's AI generated—what should you do?
AI writing can be obvious, repetitive and obvious, leading to a tapestry of issues for human writers—let's delve into this…
Christopher Kulendran Thomas review: rethinking safe zones through AI
In Safe Zone, Christopher Kulendran Thomas uses AI to ask powerful questions about how we record and relate to histories…
Anatomy of a campaign: What the AI copyright win teaches us about collaborative advocacy
Nicholas Pickard of APRA AMCOS takes us behind the scenes of the major AI copyright campaign and finds many lessons…
We've achieved a successful AI copyright ruling – but 'significant' advocacy is still needed
The CEO of the Australian Publishers Association welcomes the recent TDM ruling, which upholds authors' copyright in the training of…
Copyright win for Australian artists vs AI – but how long can we hold off the bots?
The Australian government has ruled out a copyright fee carve-out for training AI – which seems like good news, for…